![]() Whenever you see the repeat symbol dots like shown above, it means that you have to repeat everything inside of the dots one time. ![]() The dots pointing out towards the left show that the repeat section has ended. The dots pointing outward to the right show that a repeat section is beginning. ![]() Repeat Symbol: The repeat symbol is easily recognizable with its two dots. Double bar lines are used by the composer to show that a certain section of the song came to an end.Įnd Bar Line: If you see the end bar line, you’ve come to the end of the song. Just like with the single bar line, you don’t have to do anything but play right past it. You don’t stop here and you don’t need to do anything special - just play right past it.Īll a single bar line shows is the end of the “container” that holds a certain number of beats.ĭouble Bar Line: This is the exact same as a single bar line with one difference: it indicates the end of a section of a song. But, just like the Stevie Wonder example, if a mile-high approach is taken to analyze this form, all that makes this style so recognizable are 3 four bar phrases with the same chords assigned to each bar no matter the key.Single Bar Line: A single bar line indicates the end of a measure (or bar). This style is used by countless musicians to improvise over, write new lyrics and melodies over, and can be used in as small or as big of an ensemble as one can imagine. This is as simple as it looks, 3 four bar phrases that loop indefinitely. The blues style is as old as American music itself. Here are two chord charts for a widely used form, the 12 bar blues. As an activity see if you can identify how many beats each chord gets from left to right. Even with more complex chord changes phrases are still built in four bar units. The chord changes are faster and each chord has a different beat count. When you strip away all of the bells and whistles that make this song recognizable and unique, the foundation that holds it all up is a few four bar phrases.Ībove is a four bar phrase with multiple chords per bar. What we see here are two very simple sections (A and B), each made up of two four bar phrases. The only different is in the second four bar phrase of the B section the B9 chord is repeated for two measure and the E chord is played for 7 beats before the G#7 chord is played for 1 beat (8 beats/2 bars total). The ‘B section’ would be the chorus, also made up of two four bar phrases. The ‘A section’ would be the verse, made up of 2 four bar phrases. But the entire song is only made of these four bar phrases below: The instrumentation is complex, there is a long harmonica solo, and the song is 5 minutes long. This is a great example of how ingrained four bar phrasing is to any style of music. This is Stevie Wonders’ “Isn’t She Lovely.” This is in 4/4 so each measure has 4 beats. In this example even though there is a different beat count per measure, the phrase is still written with four bars. What is seen here is one chord per bar, each chord getting 3 beats (3 slash marks). Here is another example of a simple four bar phrase: What is seen here is one chord per bar, each chord getting 4 beats (4 slash marks per measure). Here is an example of a simple four bar phrase: What a composer or songwriter does within those four bars is completely up to their creative process, but four bar phrasing is instinctual to music composing/writing and is seen everywhere. To create a four bar phrase we simply put four bars of music together. A bar (measure) is a self-contained set of beats (1-2-3-4)(1-2-3). What is seen above is 3 bars (measures) of music all separated by a bar line. First, what is a bar? The term bar and measure are interchangeable. A four bar phrase is the smallest measurable unit in musical composition/writing.
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